If we know our collections at the elementary levels, we can be better equipped to care for these collections, to design preventive preservation techniques, to perform conservation treatments when necessary, and to ensure the long-term accessibility of our records in the face of continued technological obsolescence and change.
*Thanks to Kevin Driedger for the inspiration here (and shout out) in his blog post “Time & Media” over at Library Preservation 2.
One of my mantras about media collections and moving from the analog to the digital realm is the fact that reformatting is a necessary component of audiovisual pr
I worked on a large inventory project with a group of media production units in the Department of Defense a few years ago. We were at one of the storage facilities and a shipment of albums that had been on a base in Spain came in that day. As we were opening one of the couch-sized boxes to get an es
Media preservation is an imperfect art. In the end, it is about maintaining a faithfulness to the original image/signal/presentation, within the confines of what is possible as impacted by condition of the original, existing technology, desired use, and (shhh) budget. There are options for reformatt
Film buffs know what this means. As in One Word. As in selling out one’s soul to live the life of a corporate middleman. As in a lifetime of creating cheap, soulless, synthetic replicas formed from deadly chemicals.
Film (and other media) buffs also ought to know what this means on a
An aphoristic interpretation in 10 parts
1. Authorial intent is, for all practical purposes, bunk. It presupposes, fallaciously, either the existence of the singular creator, or the total achievability of an artistic vision.
The former is false because it is a figment of the artist’s imaginati
When I first moved to New York I lived in the Brooklyn Chinatown section of Sunset Park, an approximately 20 block long area sandwiched between a largely Hispanic section of the neighborhood and the primarily Hasidic Boro Park neighborhood. On my block was a small Indian bodega (which I’m guessing i
At the Spring MARAC meeting during a panel on digital preservation, a presenter showed a slide of a Post-it note adhered to an inaccessible disc that said “Save in case of miracle.” In archiving we are constantly faced with the decision (or non-decision) point of saving a decayed/corrupted original
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