It is widely understood that the special challenges of conserving film, video, computer-based, and interactive art demand collaborative efforts—shared responsibility among a wide array of disciplines. Over the past decade, best practices and shared principles about the care of this art have been developed: emulation, migration, variability. But how do these practices actually work in the real world? Co-sponsored by the Hirshhorn Museum and the Lunder Conservation Center, Smithsonian Institution, this colloquium brings together conservators, artists, curators, exhibition designers, and audiovisual specialists in a series of case studies about collaboration, designed to provoke debate about how we have cared for these works thus far.
At the colloquium Chris Lacinak addressed the topic Managing Born-Digital Time-Based Media, covering issues from file format and codec selection to preservation workflows and file management/storage. The link below is to the video of Chris’ talk taken from Part 1 of the livestream of the colloquium.