I can’t call that an endorsement as I’m not so sure I agree with many of his cinematic tastes (sorry, dad, still haven’t watched the DVD of Tombstone you sent), but then again, I’m not so sure I would be going to things like Hausu at the IFC or W.R.: Mysteries of the Organism at BAM without having been exposed to his glee at certain films (Raising Arizona, So I Married an Ax Murderer) or without my mom’s feeding of a precocious five-year-old’s interest in Hitchcock, Godzilla, and Universal horror films.

AVPS founder and President Chris Lacinak has been invited to speak at two prestigious media preservation events in Washington, DC in the up-coming weeks.
On Thursday, March 18 Chris will present during a day of talks as part of the Collaborations in Conserving Time-Based Art Colloquium co-sponsored by The Hirshhorn Museum and the Lunder Conservation Center, [...]

What I gleaned as one of the core argument from each piece is that the greatness of cinema is in the beauty of the image, the beauty of storytelling, and the creation of a dreamworld of sorts that we access through viewing and are able to keep segmented into its proper place as fantasy and not real life. The other half of this argument is that there isn’t really much evidence that people are compelled to imitate the acts they see on screen, which is one of the big arguments for ratings and censorship. There’s some nice paradoxical reasoning here: You can’t say that moving images dig into the mind and inspire people to do ill, but moving images dig into the mind and inspire people.

Reading this reminded me of one of my pet peeves, one which I have been trying to avoid encountering the past year and a half: The taken as gospel historical interpretation that film attendance rose and movies solaced us during the Depression. This hoary, supposed truism is marched out whenever financially rough times arise or are spoken about, the current recession included.

History and memory, however, take a slower, more constant rate that looks at the bigger picture. History may or may not be concerned with the trends in communication and information sharing in the early 21st century, but it certainly will not care about who was the fastest to Tweet the news about Michael Jackson’s death.

Chris Lacinak will be addressing the Digital Conversion Interest Group at the American Library Association’s 2010 Midwinter Meeting in Boston this Saturday. Chris will speak on issues around digital video preservation, including reformatting and accessioning born digital video.
ALA Midwinter 2010 will take place on January 15-19, 2010 at the Boston Convention and Exhibition Center near [...]

Actually, I think the real problem here is the eternal confusion over preservation and DVDs, something D’Addario almost touches on but doesn’t state clearly enough, and his confusion over the issue is partly what seems to be fueling his anger over Criterion’s dealings. To state it most simply, a DVD is not preservation. It is the result of preservation work, but it is not the preservation. That is done with the film which is eventually transferred to DVD for a wider viewing pleasure.

While you were busy comparison shopping between a Kindle and a Nook this past month, paper books were still being published, including Daniel Eagan’s America’s Film Legacy: The Authoritative Guide to Landmark Movies in the National Film Registry. He spoke about his review of the first 500 films to be placed on the National Film [...]

Not saying that everything needs to be prioritized to a preservation level, but might people’s habits in how they treat the widespread, everyday non-archival items creep into how everything is treated?

10. www.fileinfo.com lists 202 video file formats.

9. They also list 337 audio file formats.